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[personal profile] bunrab
Dear Composer:

What is it with changing clefs in the middle of a freakin' line?? I can cope with your absurd choice of key signature; I deal with your changes of time signature every few measures; but keep the music to one clef per part, dammit! If you weren't dead, I'd kick you in the shins.

Sincerely,
Kelly


Dear Publisher:

I like reading a book to be an adventure in literature, not an exercise in proofreading. If you do not hire a copy editor, I will hunt you down and kick you in the shins.

Truly,
Kelly


Dear #1 Cat:

Stop eating my yarn.

Love,
Human #2

Date: 2009-02-12 04:50 am (UTC)
From: [identity profile] bikergeek.livejournal.com
If that were popular music, I'd say you were trying to play something by King Crimson, or Yes, or Rush. :-/

Date: 2009-02-12 05:06 am (UTC)
From: [identity profile] bunrab.livejournal.com
All of those are things I like in pop music - and I'll bet that King Crimson writes each part in only one clef, if it gets written at all!

As it happens, it is freakin' Percy Grainger and Malcolm Arnold against whom I am currently holding a grudge. Percy especially. Who the hell writes a time signature of 2.25/4, along with switching to tenor clef in the MIDDLE OF A BAR???

Date: 2009-02-12 06:39 am (UTC)
From: [identity profile] bikergeek.livejournal.com
Must be the same guy who worked as an engineer at Spagthorpe and designed the Spagthorpe Wrestler with a three-and-a-half-with-a-wiggly-bit-thrown-in-for-good-measure stroke engine.

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